31 (TouchX + I am the Child of…)


31 years
2 world premieres
50 performers
4 AR experiences

Kaeja d’Dance celebrated its 31st Anniversary with 31 (TouchX + I am the Child of…). Grounded in memory, Karen Kaeja’s TouchX, and Allen Kaeja and Bruce Barton’s I am the Child of… (a collaboration between Kaeja d’Dance and Vertical City Performance), investigate the complexity of our lived experience. Community, perspective, and augmented reality technology created two evocative worlds in this double bill show. With over 25 artistic collaborators and 33 community participants, these works devised movement from deeply personal stories, examining the universal power of reflection, resilience, and touch. 31(TouchX + I am the Child of…) was presented by Harbourfront Centre November 11-13, 2022 as PART OF TORQUE International Contemporary Dance Series.

  • Karen Kaeja, an Ashkenazi white female with long grey hair gently embraces Nickeshia Garrick, a Queer, Afro-Caribbean Canadian artist with short kinky blonde hair. Karen has her eyes closed and holds Nickeshia’s upright fists. Below them, Mio Sakamoto, an East Asian woman in her mid-20s with long wavy dark hair pulled back in a ponytail lays on her side and tilts her head back with her eyes closed. A light blur appears above Mio, extending diagonally across the image and separating Mio from Karen and Nickeshia, who appear above the blur. Large bold white text on top of the blur reads “31”. Smaller orange text reads “I am the child of…” next to Karen and Nickeshia and “TouchX’ next to Mio.

31 Online Program

Click the button below to view the full 31 online program!

31 Press

REVIEWS: TouchX Reviews

TouchX

TouchX is a contemporary moving image of what has ‘touched’ us most over our lives - the thought, memory, fragility, ephemeral nature of touch. Directed and choreographed by Karen Kaeja, the dance work is a multi-sensory visual world of what remains in the body through wanted and unwanted touch, contrasted with when our hearts have been touched. An ensemble of dancers are joined by a brave collection of everyday community folk, who boldly take space in a complex world of protection, disassociation, fantasy, surrender and connection. TouchX holds a fertile immediacy and essentiality in a time when the human need for touch is unmistakable.

TouchX is supported by the Harbourfront Centre Technical Residency Program, and creative residency/development engagements with Decidedly Jazz Dance, Mukogawa Women’s University - Japan and Atlantic Ballet Canada.

TouchX Credits

World Premiere

Presented by – Harbourfront Centre

Concept, Direction & Choreography – Karen Kaeja

Created with and Performed by – Michael Caldwell, Brayden Cairns*, Nickeshia Garrick, Jessica Germano*, David Norsworthy, Mio Sakamoto, Yui Ugai**, Irma Villafuerte

Composer / Instrumentalist – Gregory Harrison

Lighting Design – Simon Rossiter

Set Design – Karen Kaeja with Sonja Rainey

Costume Design – Sonja Rainey

Dramaturgy – Pil Hansen, Shannon Litzenberger

Rehearsal Director & Project Coordinator – Jordana Deveau

Production Coordinator & Stage Manager – Taylor Young

Assistant Lighting Designer – Theo Belc

Community Participants – Kate Ayer***, Peter Bannister***, Pieter Biessels, Susan Brown, Nancy Christie, Rajvi Dedhia***, Jane Deluzio, Lori Eisler, Lori Endes, Anne Fleming, Abigail Hanson***, Christine Jackson, Beata Janiec, David Keshen, Juliana Klein, Leila Lessem, Ellen Moore***, Ella Parsons***, Mary Anne Quance, Camryn Reiksts***, Maya Santos O’Keefe***, Cari Shim, Margo Small, Brenda Somers, Harold Tausch, Patricia White, Phyllis Whyte, Angela Xu

Production Management Consultant – Simon Rossiter

ASM & Rehearsal Assistant  – Briana Unger

Technical Coordinator – A.J. Morra

Vocalists – Frances Miller & Gregory Harrison

Lyricist – Frances Miller in collaboration with Karen Kaeja

Wardrobe Assistant – Marianne Alas

Outside Eye – Allen Kaeja

Photography – Drew Berry, Omer Yukseker, Zhenya Cerneacov

Scribe & Video Documentation – Drew Berry

* RBC Artistic Interns ** Understudy ***Courtesy of The School of Toronto Dance Theatre

The services of Theo Belc were made possible through the Associated Designers of Canada Assistant Designer Program funded by the Government of Canada.

Content warning

Partial nudity and use of stage fog

I am the Child of…

I am the Child of… accentuates and embodies personal experiences, bringing them forward in dance. This multi-media production features physical investigations of childhood memories, resulting in stories of resilience that are unflinchingly honest. I am the Child of… is ever-changing, with structured moments interlaced with a responsive immediacy of movement, creating an unpredictable experience within every performance. Allen Kaeja collaborates with Bruce Barton and Vertical City to create different perspectives and perceptions for the audience using augmented reality technology and multiple camera angles integrated with live performers. This is a show where mobile devices are welcome and part of the viewing experience!

I am the Child of… is supported by the Harbourfront Centre Technical Residency Program.

Experience Augmented Reality at home!

Try out an augmented reality (AR) experience similar to the technology used in I am the Child of… Just follow the instructions below to witness a dancer perform in AR!

AR Practice

  • Scan the QR code on the webpage below these instructions using a phone or tablet. To do so, open your camera app and point it at the QR Code, then click the link that pops up.

  • Click “Allow”.

  • Watch the augmented reality dancer perform across your desk, on your kitchen table, or even on the ceiling! You can move the dancer around or make them larger or smaller using your touchscreen.

World Premiere

Presented by – Harbourfront Centre

A co-creation by – Allen Kaeja and Bruce Barton

A collaboration between Kaeja d’Dance and Vertical City Performance

Concept, Choreographic Proposals and Co-Direction – Allen Kaeja

Dramaturgy, Textual Arrangement and Co-Direction – Bruce Barton

Created with and Performed by – Michael Caldwell, Rodney Diverlus, Aria Evans, Nickeshia Garrick, Karen Kaeja, Ethan Kim*, Geanderson Mello, Mio Sakamoto*

Augmented Reality and Digital Design – Allen Kaeja and ian Garrett

Composer – Edgardo Moreno

Lighting Design – Simon Rossiter

Costume Design – Cara Johnson

Production Coordinator & Stage Management – Taylor Young

Augmented Reality and Digital Content – Toasterlab (Ian Garrett, Justine Garrett, Andrew Sempre, with support of Raechel Kula)

Assistant Lighting Designer – Theo Belc

Assistant Stage Manager – Hunter Kennedy-Rullo

Green Screen Videographer – Allen Kaeja

Video Trailer – Olya Glotka

Photography – Kevin Jones, Zhenya Cerneacov

Producers – Vertical City Performance & Kaeja d’Dance

*RBC Artistic Interns

The services of Theo Belc were made possible through the Associated Designers of Canada Assistant Designer Program funded by the Government of Canada.

I am the Child of… Credits


Funders

Lindy Green Family Foundation logo
Green Fischer Family Trust logo

Partners

Thank you to the artists, collaborators, staff, board members, and advisors who have contributed to Kaeja over the past 31 years.

31 Years of Thanks

Trigger warning

Mature themes, homophobia, abuse, injury, child abandonment, mention of the Holocaust